Prestige du Patrimoine du VEXIN
" I bought this house because I loved the view, not because I loved Monet! "
" French artists have a sense of beauty - a sense of color - that is not allowed in New York. For me, painting is French.
Continue reading " Joan MITCHELL: For the love of the landscape of VÉTHEUIL "
"It is precisely because I don't do everyone's job that my paintings don't look the same as everyone else's and have a certain originality and that's what it takes.
Continue reading " Abel LAUVRAY : A local child and a student of MONET "
"My studio! But I have never had a studio, and I do not understand that we lock ourselves in a room. To draw, yes; to paint, no".
Continue reading "With MONET the church is a star!"In the time of the epidemics, the plague ravaged the village of Vétheuil. The epidemic was so frightening that the black flag, as a sign of mourning, was raised on the bell tower of Notre-Dame de Vétheuil. They prayed to Mary, consoler of the afflicted, and the plague ceased... From then on, the pilgrimage to Vétheuil for the healing of adult and child diseases became more and more popular. And Our Lady of Grace was the object of such a fervor that it was necessary to consider the enlargement of the place in front of the influx of pilgrims.
Coming from the village, the pilgrims reached the church by a majestic staircase of 50 steps of 5 meters wide and overhung by a renaissance calvary. On Marian feast days, the crowd invaded the small church which had to refuse access to many people.
Since the archives have disappeared, no one knows how the expansion work was financed. The church had substantial funds, each pilgrim having to pay an alms, but were they sufficient? The abbey of Fécamp and the lords of Vétheuil may also have financed this expansion.
Throughout history, there have been many events in which stained glass windows have been damaged or destroyed. Very often, these events were so violent that it is almost miraculous to have such a rich heritage today.
Since the religious wars, through the period of the Terror, the 1870 war, the 14-18 war and the last war, the degradations have succeeded one another, causing considerable losses to the heritage. In the 14th century, the Hundred Years War (1337-1453) and the English occupation caused real devastation.
In August 1944, during the fighting of the Liberation, an Allied bomb damaged the southwestern part of the church; the violence of the explosion blew out all the stained glass. For several years, the windows were blocked up with boards, which added to the damage already caused.
In 1949, the chief architect Albert CHAUVEL was in charge of restoring most of the stained glass windows in the church of Vétheuil. In the early 1950s, the master glass artist François LORIN started the replacement of the stained glass windows in the choir, based on cartoons by Jean-Claude RIQUEUL.
Continuing the restoration of the stained glass windows in the 1970s, the master glass artist Michel DURAND was called upon to create most of the lower lateral windows as well as the two windows on the western façade.
With the exception of some rare Renaissance stained glass windows, the windows in place before the 1944 explosion dated from the Second Empire.
Built at the beginning of the 13th century, the church of Vétheuil underwent many architectural evolutions until the end of the 16th century.
Continue reading "5 centuries of architecture
This carved, polychromed and gilded wooden altarpiece probably originally topped the high altar. It can now be seen on the altar of the fourth chapel to the north of the nave.
Continue reading "The Passion Altarpiece
